A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 124
... Poetic imagination is but a fuller view of reality . If the characters created by a poet give us the impression of life , it is only because they are the poet him- self - a multiplication or division of the poet - the poet plumbing the ...
... Poetic imagination is but a fuller view of reality . If the characters created by a poet give us the impression of life , it is only because they are the poet him- self - a multiplication or division of the poet - the poet plumbing the ...
Pagina 168
... poet and mathematician , contrasted with the looser speech permitted to the biologist or novelist . We have seen that music is an extreme kind of poetry , that just as mathematics escapes almost altogether from the subjective qualities ...
... poet and mathematician , contrasted with the looser speech permitted to the biologist or novelist . We have seen that music is an extreme kind of poetry , that just as mathematics escapes almost altogether from the subjective qualities ...
Pagina 176
... poet , in spite of his conventional piece of reality , may achieve a new affective tone . Old poets we shall judge ... poet who provides both to a high degree will be a good poet . A poet who brings into his net a vast amount of new ...
... poet , in spite of his conventional piece of reality , may achieve a new affective tone . Old poets we shall judge ... poet who provides both to a high degree will be a good poet . A poet who brings into his net a vast amount of new ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words