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Risultati 1-3 di 56
Pagina 146
But by what means the poet or the artist gives this formal pleasure—there, at that
time, Freud declared. * Read is here referring under a different title to Freud's
essay, “The Relation of the Poet to Daydreaming,” reproduced above, pp. 132-
141.
But by what means the poet or the artist gives this formal pleasure—there, at that
time, Freud declared. * Read is here referring under a different title to Freud's
essay, “The Relation of the Poet to Daydreaming,” reproduced above, pp. 132-
141.
Pagina 168
Hence the vital importance of precise speech—of the absolutely correct word or
correct symbol—both to poet and mathematician, contrasted with the looser
speech permitted to the biologist or novelist. We have seen that music is an
extreme ...
Hence the vital importance of precise speech—of the absolutely correct word or
correct symbol—both to poet and mathematician, contrasted with the looser
speech permitted to the biologist or novelist. We have seen that music is an
extreme ...
Pagina 176
But the first poet may be poor in the affective coloring with which he soaks his
piece of reality. It may be the old stale coloring, whereas our other poet, in spite of
his conventional piece of reality, may achieve a new affective tone. Old poets we
...
But the first poet may be poor in the affective coloring with which he soaks his
piece of reality. It may be the old stale coloring, whereas our other poet, in spite of
his conventional piece of reality, may achieve a new affective tone. Old poets we
...
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Parole e frasi comuni
abstract action activity actual affective appear appreciation artist aspect associations attitudes beauty become called cause character color complete connection consciousness course criticism definition describe desire direct discourse Distance distinction distinguished dream elements emotional esthetic example existence experience expression external fact feeling function give given human ideas images imaginative imitation important individual instinctive interest intuition kind knowledge language less live look material matter means merely mind moral move nature never object organization original ourselves painting particular patterns perception person phantasies physical picture play pleasure poem poet poetic poetry possible practical present produce pure qualities question reality reason reference relation represented result scientific seems sense shape significant simple social soul sound speak symbols theory things thought tion true truth unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |