A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 124
... poetic imagination . Of course , Shakespeare was neither Macbeth , nor Hamlet , nor Othello ; still , he might have been these several characters if the circumstances of the case on the one hand , and the consent of his will on the ...
... poetic imagination . Of course , Shakespeare was neither Macbeth , nor Hamlet , nor Othello ; still , he might have been these several characters if the circumstances of the case on the one hand , and the consent of his will on the ...
Pagina 156
... poet's world is his world . As he reads the poem he feels the emotions of the poet . Just as the pythoness or bacchante speaks for the god in the first person , so the reader under the influence of poetic illusion . feels for the poet ...
... poet's world is his world . As he reads the poem he feels the emotions of the poet . Just as the pythoness or bacchante speaks for the god in the first person , so the reader under the influence of poetic illusion . feels for the poet ...
Pagina 348
... poetic experience , in order to enrich it by forming such a product and dwelling on it . Nor , in a wide sense of ' poetic , ' do I question the poetic value of this product , as you think of it apart from the poem . It resembles our ...
... poetic experience , in order to enrich it by forming such a product and dwelling on it . Nor , in a wide sense of ' poetic , ' do I question the poetic value of this product , as you think of it apart from the poem . It resembles our ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole