A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 168
... poetry , that just as mathematics escapes almost altogether from the subjective qualities of matter , so music ( unlike poetry ) escapes almost altogether from the objective references of sounds . Therefore the musician is even preciser ...
... poetry , that just as mathematics escapes almost altogether from the subjective qualities of matter , so music ( unlike poetry ) escapes almost altogether from the objective references of sounds . Therefore the musician is even preciser ...
Pagina 176
... poets we shall judge almost entirely by their affective tone ; their manifest contents have long belonged to our world of thought . Hence the apparent triteness of old poetry which yet is a great triteness . From new poets we demand new ...
... poets we shall judge almost entirely by their affective tone ; their manifest contents have long belonged to our world of thought . Hence the apparent triteness of old poetry which yet is a great triteness . From new poets we demand new ...
Pagina 335
... poetic value . It does so because it tends to change the nature of poetry by taking it out of its own atmosphere . For its nature is to be not a part , nor yet 335 Andrew Cecil Bradley: Poetry for Poetry's Sake From Oxford Lectures on ...
... poetic value . It does so because it tends to change the nature of poetry by taking it out of its own atmosphere . For its nature is to be not a part , nor yet 335 Andrew Cecil Bradley: Poetry for Poetry's Sake From Oxford Lectures on ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words