A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 79
Pagina 25
... possible structure for a mass of adjacent cells , but theoretically it is also the most economical , the one which requires the least possible amount of labor and wax . But it is no longer assumed that economy is the object of this ...
... possible structure for a mass of adjacent cells , but theoretically it is also the most economical , the one which requires the least possible amount of labor and wax . But it is no longer assumed that economy is the object of this ...
Pagina 391
... possible truth and that every presentation of objects which is not based on scientific knowledge carries us away from the objective facts . No , it is science which veils the real thing which we want to know , and turns our attention to ...
... possible truth and that every presentation of objects which is not based on scientific knowledge carries us away from the objective facts . No , it is science which veils the real thing which we want to know , and turns our attention to ...
Pagina 488
... possible is not due to an underestimation of the impor- tance of beauty . It is due only to a desire that the notion of beauty shall not , as usual in works on esthetics , spread itself like a spot of fragrant conceptual oil , haphazard ...
... possible is not due to an underestimation of the impor- tance of beauty . It is due only to a desire that the notion of beauty shall not , as usual in works on esthetics , spread itself like a spot of fragrant conceptual oil , haphazard ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
25 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words