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Pagina 86
It is not possible to divide in a vital experience the practical , emotional , and
intellectual from one another and to set the properties of one over against the
characteristics of the others . The emotional phase binds parts together into a
single ...
It is not possible to divide in a vital experience the practical , emotional , and
intellectual from one another and to set the properties of one over against the
characteristics of the others . The emotional phase binds parts together into a
single ...
Pagina 404
It has a negative , inhibitory aspect - the cutting - out of the practical sides of
things and of our practical attitude to them - and a positive side — the elaboration
of the experience on the new basis created by the inhibitory action of Distance . 2
.
It has a negative , inhibitory aspect - the cutting - out of the practical sides of
things and of our practical attitude to them - and a positive side — the elaboration
of the experience on the new basis created by the inhibitory action of Distance . 2
.
Pagina 515
are chiefly three causes for the reduction of vividness : ( 1 ) habit , convention ,
tradition , and the like ; ( 2 ) practical activity in achieving goals ; and ( 3 ) analysis
. Habit simply dulls experience and reduces it to routine . Practical activity ...
are chiefly three causes for the reduction of vividness : ( 1 ) habit , convention ,
tradition , and the like ; ( 2 ) practical activity in achieving goals ; and ( 3 ) analysis
. Habit simply dulls experience and reduces it to routine . Practical activity ...
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Sommario
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Sensuous Elements and Esthetic | 245 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness contemplation course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas imagination important individual interest isolation kind knowledge language less live look material matter means merely mind moral move nature object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represents result scientific seems sense shape significant simply social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |