A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 80
Pagina xxix
... present values . The essence of a sign is that it gives us mediate , rather than immediate , knowledge ; and even an iconic sign , although it is a kind of " picture , " is but the surrogate for the object as vividly and imaginatively ...
... present values . The essence of a sign is that it gives us mediate , rather than immediate , knowledge ; and even an iconic sign , although it is a kind of " picture , " is but the surrogate for the object as vividly and imaginatively ...
Pagina 142
... presents his plays , or relates what we take to be his personal daydreams , we experience great pleasure arising ... present discussion . -Neue Revue , Volume I ( 1908 ) ; translation first published in Collected Papers , Volume IV ...
... presents his plays , or relates what we take to be his personal daydreams , we experience great pleasure arising ... present discussion . -Neue Revue , Volume I ( 1908 ) ; translation first published in Collected Papers , Volume IV ...
Pagina 249
... present when sound or noise is present . It is the fact that noises , even with no distinguishable pitch , have their fixed places in this dimension of loudness - softness that makes them possible as integral elements in genuine musical ...
... present when sound or noise is present . It is the fact that noises , even with no distinguishable pitch , have their fixed places in this dimension of loudness - softness that makes them possible as integral elements in genuine musical ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words