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Pagina 43
We have seen that two main principles are involved - a principle of form , derived
, in our opinion , from the organic world , and the universal objective aspect of all
works of art ; and a principle of origination peculiar to the mind of man , and ...
We have seen that two main principles are involved - a principle of form , derived
, in our opinion , from the organic world , and the universal objective aspect of all
works of art ; and a principle of origination peculiar to the mind of man , and ...
Pagina 357
These principles are , I think , very few ; as few , indeed , as six : the principle of
organic unity , or unity in variety , as it has been called ; the principle of the theme
; the principle of thematic variation ; balance ; the principle of hierarchy ; and ...
These principles are , I think , very few ; as few , indeed , as six : the principle of
organic unity , or unity in variety , as it has been called ; the principle of the theme
; the principle of thematic variation ; balance ; the principle of hierarchy ; and ...
Pagina 559
This principle is of course not unknown in other phases of art : but the point is that
in mechanical forms it is at all times a controlling one , and it has for its aid the
more exact calculations and measurements that are now possible . The aim of ...
This principle is of course not unknown in other phases of art : but the point is that
in mechanical forms it is at all times a controlling one , and it has for its aid the
more exact calculations and measurements that are now possible . The aim of ...
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Sommario
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Sensuous Elements and Esthetic | 245 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness contemplation course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas imagination important individual interest isolation kind knowledge language less live look material matter means merely mind moral move nature object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represents result scientific seems sense shape significant simply social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |