A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 43
... principles are involved — a principle of form , derived , in our opinion , from the organic world , and the universal objective aspect of all works of art ; and a principle of origination peculiar to the mind . of man , and impelling ...
... principles are involved — a principle of form , derived , in our opinion , from the organic world , and the universal objective aspect of all works of art ; and a principle of origination peculiar to the mind . of man , and impelling ...
Pagina 357
... principles are , I think , very few ; as few , indeed , as six : the principle of organic unity , or unity in variety , as it has been called ; the principle of the theme ; the principle of thematic variation ; balance ; the principle ...
... principles are , I think , very few ; as few , indeed , as six : the principle of organic unity , or unity in variety , as it has been called ; the principle of the theme ; the principle of thematic variation ; balance ; the principle ...
Pagina 559
... principle : the principle of econ- omy . This principle is of course not unknown in other phases of art : but the point is that in mechanical forms it is at all times a controlling one , and it has for its aid the more exact ...
... principle : the principle of econ- omy . This principle is of course not unknown in other phases of art : but the point is that in mechanical forms it is at all times a controlling one , and it has for its aid the more exact ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole