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Pagina 43
VII Summary This preliminary definition of art must halt at this point. We have
seen that two main principles are involved— a principle of form, derived, in our
opinion, from the organic world, and the universal objective aspect of all works of
art; ...
VII Summary This preliminary definition of art must halt at this point. We have
seen that two main principles are involved— a principle of form, derived, in our
opinion, from the organic world, and the universal objective aspect of all works of
art; ...
Pagina 149
The economic, or, if you prefer, the quantitative factor, which is so closely bound
up with the pleasure- principle, dominates all its processes. ..." * As for the ego,
Freud says that we can hardly go wrong if we regard it as "that part of the id which
...
The economic, or, if you prefer, the quantitative factor, which is so closely bound
up with the pleasure- principle, dominates all its processes. ..." * As for the ego,
Freud says that we can hardly go wrong if we regard it as "that part of the id which
...
Pagina 357
H. PARKER THE PROBLEM OF ESTHETIC FORM I shall try to reduce the
general characteristics of esthetic form to their simplest principles, hoping to
provide the elements of what might be called a logic of esthetic form. These
principles are, I ...
H. PARKER THE PROBLEM OF ESTHETIC FORM I shall try to reduce the
general characteristics of esthetic form to their simplest principles, hoping to
provide the elements of what might be called a logic of esthetic form. These
principles are, I ...
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Parole e frasi comuni
abstract action activity ANDREW CECIL BRADLEY appear appreciation Aristotle artist aspect attitudes balance beauty become BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means ment merely mind moral nature object organization painting perceived perception person phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry present principle produce psychology pure relation rhythm rience ROGER FRY scientific sensations sense sensuous social soul sound spatial super-ego theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |