Dall'interno del libro
Risultati 1-3 di 77
Pagina 43
We have seen that two main principles are involveda principle of form , derived , in our opinion , from the organic world , and the universal objective aspect of all works of art ; and a principle of origination peculiar to the mind of ...
We have seen that two main principles are involveda principle of form , derived , in our opinion , from the organic world , and the universal objective aspect of all works of art ; and a principle of origination peculiar to the mind of ...
Pagina 357
These principles are , I think , very few ; as few , indeed , as six : the principle of organic unity , or unity in variety ... the principle of the theme ; the principle of thematic variation ; balance ; the principle of hierarchy ...
These principles are , I think , very few ; as few , indeed , as six : the principle of organic unity , or unity in variety ... the principle of the theme ; the principle of thematic variation ; balance ; the principle of hierarchy ...
Pagina 559
This principle is of course not unknown in other phases of art : but the point is that in mechanical forms it is at all times a controlling one , and it has for its aid the more exact calculations and measurements that are now possible ...
This principle is of course not unknown in other phases of art : but the point is that in mechanical forms it is at all times a controlling one , and it has for its aid the more exact calculations and measurements that are now possible ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
Reality and Imagination 3 I Reality and Imagination | 3 |
perience | 62 |
Intuition | 89 |
Copyright | |
26 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness course critic definition described desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give hand human ideas images imagination imitation important individual interest intuition isolation kind knowledge language less live look material matter meaning merely mind moral move nature never object organization original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure qualities question reality reason reference relation represented result scientific seems sense shape significant simple social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |