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Pagina 75
Moreover , he has to see each particular connection of doing and undergoing in
relation to the whole that he desires to produce . To apprehend such relations is
to think , and is one of the most exacting modes of thought . The difference ...
Moreover , he has to see each particular connection of doing and undergoing in
relation to the whole that he desires to produce . To apprehend such relations is
to think , and is one of the most exacting modes of thought . The difference ...
Pagina 417
Whistler indeed said that to produce Art by imitating nature would be like trying to
produce music by sitting upon the piano , but the selective , idealizing imitation of
nature finds merely another support in such a saying . Naturalism , pleinairism ...
Whistler indeed said that to produce Art by imitating nature would be like trying to
produce music by sitting upon the piano , but the selective , idealizing imitation of
nature finds merely another support in such a saying . Naturalism , pleinairism ...
Pagina 417
Whistler indeed said that to produce Art by imitating nature would be like trying to
produce music by sitting upon the piano , but the selective , idealizing imitation of
nature finds merely another support in such a saying . Naturalism , pleinairism ...
Whistler indeed said that to produce Art by imitating nature would be like trying to
produce music by sitting upon the piano , but the selective , idealizing imitation of
nature finds merely another support in such a saying . Naturalism , pleinairism ...
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Sommario
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Sensuous Elements and Esthetic | 245 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness contemplation course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas imagination important individual interest isolation kind knowledge language less live look material matter means merely mind moral move nature object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represents result scientific seems sense shape significant simply social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |