A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 73
Pagina 18
... produced by a work of beauty proceeds from some truth , it does not proceed from the truth of imitation as a reproduction of things , it proceeds from the perfection with which the work expresses or manifests form , in the metaphysical ...
... produced by a work of beauty proceeds from some truth , it does not proceed from the truth of imitation as a reproduction of things , it proceeds from the perfection with which the work expresses or manifests form , in the metaphysical ...
Pagina 160
... produces its onward movement ? Evi- dently it can only be a special form of the contradiction which produces the whole ... produced in me a conscious subject . This consciousness is contradicted by my experience — that is , I have a new ...
... produces its onward movement ? Evi- dently it can only be a special form of the contradiction which produces the whole ... produced in me a conscious subject . This consciousness is contradicted by my experience — that is , I have a new ...
Pagina 554
... produced by the amateur than were , for example , the intricacies of special joints , fine inlays , matched woods ... producing fake handicraft , in the workshop of the amateur the reverse process could take place with a real gain : he ...
... produced by the amateur than were , for example , the intricacies of special joints , fine inlays , matched woods ... producing fake handicraft , in the workshop of the amateur the reverse process could take place with a real gain : he ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words