A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 269
... pure listening , the best listening , on the other hand , may be less pure than purists love to think , and the best kind of musical experience may be one in which physiological and conative and imaginal elements - all kept in their due ...
... pure listening , the best listening , on the other hand , may be less pure than purists love to think , and the best kind of musical experience may be one in which physiological and conative and imaginal elements - all kept in their due ...
Pagina 327
... pure es- thetic emotion that I get from visual art . It is less intense , and the rapture is evanescent ; I understand music too ill for music to transport me far into the world of pure esthetic ecstasy . But at moments I do appreciate ...
... pure es- thetic emotion that I get from visual art . It is less intense , and the rapture is evanescent ; I understand music too ill for music to transport me far into the world of pure esthetic ecstasy . But at moments I do appreciate ...
Pagina 332
... pure forms -- that is , as ends in themselves . He did not feel emotion for a chair as a means to physical well ... pure forms . It is for , or at any rate through , pure form that he feels his inspired emotion . Now to see objects as ...
... pure forms -- that is , as ends in themselves . He did not feel emotion for a chair as a means to physical well ... pure forms . It is for , or at any rate through , pure form that he feels his inspired emotion . Now to see objects as ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words