Dall'interno del libro
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Pagina 327
at a concert , though my appreciation of the music is limited and humble , it is pure . Sometimes , though I have a poor understanding , I have a clean palate . Consequently , when I am feeling bright and clear and intent , at the ...
at a concert , though my appreciation of the music is limited and humble , it is pure . Sometimes , though I have a poor understanding , I have a clean palate . Consequently , when I am feeling bright and clear and intent , at the ...
Pagina 328
If they cannot grasp musical form and win from it a pure esthetic emotion , they confess that they understand music imperfectly or not at all . They recognize quite clearly that there is a difference between the feeling of the musician ...
If they cannot grasp musical form and win from it a pure esthetic emotion , they confess that they understand music imperfectly or not at all . They recognize quite clearly that there is a difference between the feeling of the musician ...
Pagina 332
The emotion that the artist felt in his moment of inspiration he did not feel for objects seen as means , but for objects seen as pure forms -- that is , as ends in themselves . He did not feel emotion for a chair as a means to physical ...
The emotion that the artist felt in his moment of inspiration he did not feel for objects seen as means , but for objects seen as pure forms -- that is , as ends in themselves . He did not feel emotion for a chair as a means to physical ...
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Sommario
Reality and Imagination 3 I Reality and Imagination | 3 |
perience | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness course critic definition described desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give hand human ideas images imagination imitation important individual interest intuition isolation kind knowledge language less live look material matter meaning merely mind moral move nature never object organization original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure qualities question reality reason reference relation represented result scientific seems sense shape significant simple social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |