A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 347
... question in which of them the value lies has no sense . No doubt you may say , speaking loosely , that in this poet or poem the aspect of substance is the more noticeable , and in that the aspect of form ; and you may pursue interesting ...
... question in which of them the value lies has no sense . No doubt you may say , speaking loosely , that in this poet or poem the aspect of substance is the more noticeable , and in that the aspect of form ; and you may pursue interesting ...
Pagina 483
... question mentioned above , namely , the question whether it constitutes objectification of an emotional self truly one's own . It is perhaps unnecessary to point out in this connection that approving on this basis the object that one ...
... question mentioned above , namely , the question whether it constitutes objectification of an emotional self truly one's own . It is perhaps unnecessary to point out in this connection that approving on this basis the object that one ...
Pagina 484
... question can be raised , by others as well as by the maker of the object ( if it be man - made ) , whether the feeling objectified in it is a feeling that they are willing to own . We saw too that another question distinct from this can ...
... question can be raised , by others as well as by the maker of the object ( if it be man - made ) , whether the feeling objectified in it is a feeling that they are willing to own . We saw too that another question distinct from this can ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words