A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 347
... question in which of them the value lies has no sense . No doubt you may say , speaking loosely , that in this poet or poem the aspect of substance is the more noticeable , and in that the aspect of form ; and you may pursue interesting ...
... question in which of them the value lies has no sense . No doubt you may say , speaking loosely , that in this poet or poem the aspect of substance is the more noticeable , and in that the aspect of form ; and you may pursue interesting ...
Pagina 483
... question mentioned above , namely , the question whether it constitutes objectification of an emotional self truly one's own . It is perhaps unnecessary to point out in this connection that approving on this basis the object that one ...
... question mentioned above , namely , the question whether it constitutes objectification of an emotional self truly one's own . It is perhaps unnecessary to point out in this connection that approving on this basis the object that one ...
Pagina 484
... question can be raised , by others as well as by the maker of the object ( if it be man - made ) , whether the feeling objectified in it is a feeling that they are willing to own . We saw too that another question distinct from this can ...
... question can be raised , by others as well as by the maker of the object ( if it be man - made ) , whether the feeling objectified in it is a feeling that they are willing to own . We saw too that another question distinct from this can ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole