A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 158
... reality ) depicted in the poem . Hence poetry in its use of language con- tinually distorts and denies the structure of reality to exalt the structure of the self . By means of rhyme , assonance or alliteration it couples together words ...
... reality ) depicted in the poem . Hence poetry in its use of language con- tinually distorts and denies the structure of reality to exalt the structure of the self . By means of rhyme , assonance or alliteration it couples together words ...
Pagina 172
... reality , and then derives the emotional content from this piece of reality and its active relation with the other pieces of reality in the story as part of a perceptual life - experience . When we read a line of poetry these other ...
... reality , and then derives the emotional content from this piece of reality and its active relation with the other pieces of reality in the story as part of a perceptual life - experience . When we read a line of poetry these other ...
Pagina 176
... reality . It may be the old stale coloring , whereas our other poet , in spite of his conventional piece of reality , may achieve a new affective tone . Old poets we shall judge almost entirely by their affective tone ; their manifest ...
... reality . It may be the old stale coloring , whereas our other poet , in spite of his conventional piece of reality , may achieve a new affective tone . Old poets we shall judge almost entirely by their affective tone ; their manifest ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole