A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 158
... reality ) depicted in the poem . Hence poetry in its use of language con- tinually distorts and denies the structure of reality to exalt the structure of the self . By means of rhyme , assonance or alliteration it couples together words ...
... reality ) depicted in the poem . Hence poetry in its use of language con- tinually distorts and denies the structure of reality to exalt the structure of the self . By means of rhyme , assonance or alliteration it couples together words ...
Pagina 172
... reality , and then derives the emotional content from this piece of reality and its active relation with the other pieces of reality in the story as part of a perceptual life - experience . When we read a line of poetry these other ...
... reality , and then derives the emotional content from this piece of reality and its active relation with the other pieces of reality in the story as part of a perceptual life - experience . When we read a line of poetry these other ...
Pagina 176
... reality . It may be the old stale coloring , whereas our other poet , in spite of his conventional piece of reality , may achieve a new affective tone . Old poets we shall judge almost entirely by their affective tone ; their manifest ...
... reality . It may be the old stale coloring , whereas our other poet , in spite of his conventional piece of reality , may achieve a new affective tone . Old poets we shall judge almost entirely by their affective tone ; their manifest ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words