A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 80
Pagina 125
... reason this state of mind is observable from without and capable of being corrected . But , on the other hand , just because laughter aims at correcting , it is expedient that the correction should reach as great a number of persons as ...
... reason this state of mind is observable from without and capable of being corrected . But , on the other hand , just because laughter aims at correcting , it is expedient that the correction should reach as great a number of persons as ...
Pagina 135
... reason for this different behavior in the child at play and in the daydreaming adult . The play of children is determined by their wishes- really by the child's one wish , which is to be grown - up , the wish that helps to " bring him ...
... reason for this different behavior in the child at play and in the daydreaming adult . The play of children is determined by their wishes- really by the child's one wish , which is to be grown - up , the wish that helps to " bring him ...
Pagina 215
... reason and ancient authority to justify his oddities . So people who have no sensations , and do not know why they judge , are always trying to show that they judge by universal reason . Thus the frailty and superficiality of our own ...
... reason and ancient authority to justify his oddities . So people who have no sensations , and do not know why they judge , are always trying to show that they judge by universal reason . Thus the frailty and superficiality of our own ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words