A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 39
Pagina 156
... reference to another reality , so the reader of poetry lives in the words of the poetry , without reference to the external world . The poet's world is his world . As he reads the poem he feels the emotions of the poet . Just as the ...
... reference to another reality , so the reader of poetry lives in the words of the poetry , without reference to the external world . The poet's world is his world . As he reads the poem he feels the emotions of the poet . Just as the ...
Pagina 269
... reference to the world , composers simply invent sequences of sounds without reference to anything ; we judge some sequences good and some bad , but this judgment is based on a " purely musical faculty . " Music , on this view ...
... reference to the world , composers simply invent sequences of sounds without reference to anything ; we judge some sequences good and some bad , but this judgment is based on a " purely musical faculty . " Music , on this view ...
Pagina 307
... reference , the value it designates is embodied in the work itself , so that in perceiving a work of art one ... references . Since the aim is not prediction , the requirements of consistency or non - contradictoriness take on a special ...
... reference , the value it designates is embodied in the work itself , so that in perceiving a work of art one ... references . Since the aim is not prediction , the requirements of consistency or non - contradictoriness take on a special ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words