A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 246
... relation constituting a serial order has certain proper- ties . If it applies to a group of elements , then every one of these elements is related to every other by this same relation . This is called the connexity of the relation . A ...
... relation constituting a serial order has certain proper- ties . If it applies to a group of elements , then every one of these elements is related to every other by this same relation . This is called the connexity of the relation . A ...
Pagina 406
... relation of such a kind . trary , it describes a personal relation , often tionally colored , but of a peculiar character . ity lies in that the personal character of the relation has been , so to speak , filtered . It has been cleared ...
... relation of such a kind . trary , it describes a personal relation , often tionally colored , but of a peculiar character . ity lies in that the personal character of the relation has been , so to speak , filtered . It has been cleared ...
Pagina 406
... relation of such a kind . On the con- trary , it describes a personal relation , often highly emo- tionally colored , but of a peculiar character . Its peculiar- ity lies in that the personal character of the relation has been , so to ...
... relation of such a kind . On the con- trary , it describes a personal relation , often highly emo- tionally colored , but of a peculiar character . Its peculiar- ity lies in that the personal character of the relation has been , so to ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words