A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 54
Pagina 160
... represented by the direct and indirect effect on me of all the art I have felt , and all the emotional organization ... represents the negation of the negation - the synthesis between the existing world of art ( existing consciousness or ...
... represented by the direct and indirect effect on me of all the art I have felt , and all the emotional organization ... represents the negation of the negation - the synthesis between the existing world of art ( existing consciousness or ...
Pagina 401
... represented spatial distance , i.e. , the distance represented within the work . Less obvious , more metaphorical , is the meaning of temporal distance . The first was noticed al- ready by Aristotle in his Poetics ; the second has ...
... represented spatial distance , i.e. , the distance represented within the work . Less obvious , more metaphorical , is the meaning of temporal distance . The first was noticed al- ready by Aristotle in his Poetics ; the second has ...
Pagina 439
... represented in the traditional picture , we might live in the imagination . Many Englishmen have fallen in love with Mona Lisa . With things represented in the new pictures , it is impos- sible to live : on stripping them of their ...
... represented in the traditional picture , we might live in the imagination . Many Englishmen have fallen in love with Mona Lisa . With things represented in the new pictures , it is impos- sible to live : on stripping them of their ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
25 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words