A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 66
Pagina 160
... represents the negation of the negation - the synthesis between the existing world of art ( existing consciousness or theory ) and my experience ( life or practice ) .1 Therefore at the finish the world of art will be changed 1 ...
... represents the negation of the negation - the synthesis between the existing world of art ( existing consciousness or theory ) and my experience ( life or practice ) .1 Therefore at the finish the world of art will be changed 1 ...
Pagina 436
... represents a man in his bed , surrounded by doleful figures , would be unintelligible to us . The same we could say of any other object , whether it be a person or thing . The original form of an apple is that which the apple possesses ...
... represents a man in his bed , surrounded by doleful figures , would be unintelligible to us . The same we could say of any other object , whether it be a person or thing . The original form of an apple is that which the apple possesses ...
Pagina 458
... represents at bottom an impulse to self - privation , will be all the more incomprehensible to us at first glance since we still have ringing in our ears that formula : " Esthetic enjoyment is objectified self - enjoy- ment . " For ...
... represents at bottom an impulse to self - privation , will be all the more incomprehensible to us at first glance since we still have ringing in our ears that formula : " Esthetic enjoyment is objectified self - enjoy- ment . " For ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words