A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 364
... rhythm of identical and bal- ancing filled and empty spaces , the columns corresponding to the arsis , and the spatial interval to the thesis . Hence when balance seems to be replaced by rhythm , balance is still present , only it is ...
... rhythm of identical and bal- ancing filled and empty spaces , the columns corresponding to the arsis , and the spatial interval to the thesis . Hence when balance seems to be replaced by rhythm , balance is still present , only it is ...
Pagina 365
... rhythm ; yet that evolution is distinct from rhythm can easily be seen . For in rhythm , unless combined with evolution , there is no obvious de- velopment , no tendency toward a goal . Rhythm is recur- rence and balance of systole and ...
... rhythm ; yet that evolution is distinct from rhythm can easily be seen . For in rhythm , unless combined with evolution , there is no obvious de- velopment , no tendency toward a goal . Rhythm is recur- rence and balance of systole and ...
Pagina 366
... rhythm , as when we talk of the rhythm of life , but in such cases rhythm exists in combination with evolution . For there is , of course , a rhythm in all life - birth and death , sleep and waking , activity and repose . And if life be ...
... rhythm , as when we talk of the rhythm of life , but in such cases rhythm exists in combination with evolution . For there is , of course , a rhythm in all life - birth and death , sleep and waking , activity and repose . And if life be ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words