A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 7
Pagina 66
... rience ) , unless it is rounded out with this quality . Without it , thinking is inconclusive . In short , esthetic cannot be sharply marked off from intellectual experience since the latter must bear an esthetic stamp to be itself ...
... rience ) , unless it is rounded out with this quality . Without it , thinking is inconclusive . In short , esthetic cannot be sharply marked off from intellectual experience since the latter must bear an esthetic stamp to be itself ...
Pagina 71
... rience without physical transport and assembling . Emotion is the moving and cementing force . It selects what is congruous and dyes what is selected with its color , thereby giving qualitative unity to materials externally disparate ...
... rience without physical transport and assembling . Emotion is the moving and cementing force . It selects what is congruous and dyes what is selected with its color , thereby giving qualitative unity to materials externally disparate ...
Pagina 92
... rience , he thinks , is more intellectual than intuitive . The average person's senses give him a greatly conceptualized version of reality . Since he seldom has a clear grasp of the individuality of things , his description of objects ...
... rience , he thinks , is more intellectual than intuitive . The average person's senses give him a greatly conceptualized version of reality . Since he seldom has a clear grasp of the individuality of things , his description of objects ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
25 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words