A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 120
... seems as if an appeal had been made within us to certain ancestral memories belonging to a far - away past - memories so deep - seated and so foreign to our pres- ent life that this latter , for a moment , seems something un- real and ...
... seems as if an appeal had been made within us to certain ancestral memories belonging to a far - away past - memories so deep - seated and so foreign to our pres- ent life that this latter , for a moment , seems something un- real and ...
Pagina 240
... seems to me a profound error of prin- ciple , a false idealism . It meets us , however , throughout Croce's system , according to which " intuition " -the inward vision of the artist - is the only true expression . External media , he ...
... seems to me a profound error of prin- ciple , a false idealism . It meets us , however , throughout Croce's system , according to which " intuition " -the inward vision of the artist - is the only true expression . External media , he ...
Pagina 295
... seems suddenly to have failed , are the signs in consciousness of this nec- essary reorganization of our lives . Our attitudes and impulses are being compelled to become self - supporting ; My debt to The Waste Land here will be evident ...
... seems suddenly to have failed , are the signs in consciousness of this nec- essary reorganization of our lives . Our attitudes and impulses are being compelled to become self - supporting ; My debt to The Waste Land here will be evident ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words