A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 18
... sensation , a thing invisible and intangible , which art , consequently , cannot directly reproduce . Is it the imitation or the copy of the sensations produced in us by the thing ? But the sensations attain the consciousness of each ...
... sensation , a thing invisible and intangible , which art , consequently , cannot directly reproduce . Is it the imitation or the copy of the sensations produced in us by the thing ? But the sensations attain the consciousness of each ...
Pagina 90
... sensation and the other stages of human activity . Sensation is passive ; art is active . Art is not mere passive perception or daydreaming ; it is inner vision formulated in images . Halfway between the passivity of sensation and the ...
... sensation and the other stages of human activity . Sensation is passive ; art is active . Art is not mere passive perception or daydreaming ; it is inner vision formulated in images . Halfway between the passivity of sensation and the ...
Pagina 221
... sensation to perception is gradual , and the path may be sometimes retraced : so it is with beauty and the pleasures of sensation . There is no sharp line between them , but it depends upon the degree of objectivity my feeling has ...
... sensation to perception is gradual , and the path may be sometimes retraced : so it is with beauty and the pleasures of sensation . There is no sharp line between them , but it depends upon the degree of objectivity my feeling has ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
25 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words