A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 18
... sensation , a thing invisible and intangible , which art , consequently , cannot directly reproduce . Is it the imitation or the copy of the sensations produced in us by the thing ? But the sensations attain the consciousness of each ...
... sensation , a thing invisible and intangible , which art , consequently , cannot directly reproduce . Is it the imitation or the copy of the sensations produced in us by the thing ? But the sensations attain the consciousness of each ...
Pagina 55
... sensations will be troubled and perplexed , and the other quality will be variety , with- out which they will not be ... sensations we experience . And when we come to the higher works of art , where sensations are so arranged that they ...
... sensations will be troubled and perplexed , and the other quality will be variety , with- out which they will not be ... sensations we experience . And when we come to the higher works of art , where sensations are so arranged that they ...
Pagina 90
... sensation and the activity of art is fancy . It is art only in the making , because it lacks the unity of genuine intuition . Fancy is too passive ; it allows images and sensations to float lazily . 1 For Croce , value is tendency ...
... sensation and the activity of art is fancy . It is art only in the making , because it lacks the unity of genuine intuition . Fancy is too passive ; it allows images and sensations to float lazily . 1 For Croce , value is tendency ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words