A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 81
Pagina xxv
... sense things in their organic interrelatedness . This faculty is fundamental in uniting human beings , and it is cultivated primarily by art . Esthetic experience is shot through and through with formal characteristics ; with the ...
... sense things in their organic interrelatedness . This faculty is fundamental in uniting human beings , and it is cultivated primarily by art . Esthetic experience is shot through and through with formal characteristics ; with the ...
Pagina 12
... sense capable of disinterested knowledge , it can be , even through its purely sensible brilliance , an object of joy to the mind . Again , the more highly developed a man's culture becomes , the more spiritual grows the brilliance of ...
... sense capable of disinterested knowledge , it can be , even through its purely sensible brilliance , an object of joy to the mind . Again , the more highly developed a man's culture becomes , the more spiritual grows the brilliance of ...
Pagina 80
... sense of things in per- ception as belonging together or as jarring ; as reënforcing or as interfering . The consequences of the act of making as reported in sense show whether what is done carries forward the idea being executed or ...
... sense of things in per- ception as belonging together or as jarring ; as reënforcing or as interfering . The consequences of the act of making as reported in sense show whether what is done carries forward the idea being executed or ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words