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Pagina xxv
I have remarked that every genuine work of art has an organic unity ; and to create or appreciate a work of art requires a corresponding faculty , the ability to sense things in their organic interrelatedness ...
I have remarked that every genuine work of art has an organic unity ; and to create or appreciate a work of art requires a corresponding faculty , the ability to sense things in their organic interrelatedness ...
Pagina 12
A beautiful color “ washes the eye ” as a powerful scent dilates the nostrils : but of these two “ forms ” or qualities only color is called “ beautiful , ” because being received , as opposed to the perfume , in a sense capable of ...
A beautiful color “ washes the eye ” as a powerful scent dilates the nostrils : but of these two “ forms ” or qualities only color is called “ beautiful , ” because being received , as opposed to the perfume , in a sense capable of ...
Pagina 80
When they do not , both of them , act as organs of the whole being , there is but a mechanical sequence of sense and movement , as in walking that is automatic . Hand and eye , when the experience is esthetic , are but instruments ...
When they do not , both of them , act as organs of the whole being , there is but a mechanical sequence of sense and movement , as in walking that is automatic . Hand and eye , when the experience is esthetic , are but instruments ...
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Sommario
Reality and Imagination 3 I Reality and Imagination | 3 |
perience | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness course critic definition described desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give hand human ideas images imagination imitation important individual interest intuition isolation kind knowledge language less live look material matter meaning merely mind moral move nature never object organization original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure qualities question reality reason reference relation represented result scientific seems sense shape significant simple social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |