A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 77
Pagina 229
... sensuous materials , viewed apart from representation or connotation . These may be subdivided into ( 1 ) the properties of the medium , such as the peculiar tonality of a violin , and ( 2 ) the abstract sensuous elements not peculiar ...
... sensuous materials , viewed apart from representation or connotation . These may be subdivided into ( 1 ) the properties of the medium , such as the peculiar tonality of a violin , and ( 2 ) the abstract sensuous elements not peculiar ...
Pagina 230
... sensuous materials ( a ) Properties of the medium ( b ) Abstract sensuous elements 2. Referential materials ( a ) Representations ( b ) Connotations Form - the organization of these materials - yielding a unity of embodied meaning ...
... sensuous materials ( a ) Properties of the medium ( b ) Abstract sensuous elements 2. Referential materials ( a ) Representations ( b ) Connotations Form - the organization of these materials - yielding a unity of embodied meaning ...
Pagina 232
... sensuous surface and form . " It is characteristic of esthetic apprehension , " he declares , “ that the surface fully presented to sense is the total object of apprehension . . . . As we leave this surface in our atten- tion , to go ...
... sensuous surface and form . " It is characteristic of esthetic apprehension , " he declares , “ that the surface fully presented to sense is the total object of apprehension . . . . As we leave this surface in our atten- tion , to go ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words