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Pagina 22
In this sense the word " form " means something like " shape " ; it means that we give shape to a number of people for a particular purpose . But we go further and say , for exam- ple , that ice " forms " over a pond , or that dewdrops ...
In this sense the word " form " means something like " shape " ; it means that we give shape to a number of people for a particular purpose . But we go further and say , for exam- ple , that ice " forms " over a pond , or that dewdrops ...
Pagina 359
Thus every good pattern is built up of one or more shapes , the disposition of which constitutes the design . When there is color as well as shape , there is some dominant color that appears again and again or in related degrees of ...
Thus every good pattern is built up of one or more shapes , the disposition of which constitutes the design . When there is color as well as shape , there is some dominant color that appears again and again or in related degrees of ...
Pagina 461
But , as the Reader will remember also , when we are engrossed by something outside ourselves , as we are en- grossed in looking at the shape ( for we can look at only the shape , not the substance ) of that mountain we cease thinking ...
But , as the Reader will remember also , when we are engrossed by something outside ourselves , as we are en- grossed in looking at the shape ( for we can look at only the shape , not the substance ) of that mountain we cease thinking ...
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Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |