Dall'interno del libro
Risultati 1-3 di 51
Pagina 22
In this sense the word “ form ” means something like “ shape ” ; it means that we give shape to a number of people for a particular purpose . But we go further and say , for example , that ice “ forms ” over a pond , or that dewdrops ...
In this sense the word “ form ” means something like “ shape ” ; it means that we give shape to a number of people for a particular purpose . But we go further and say , for example , that ice “ forms ” over a pond , or that dewdrops ...
Pagina 359
In every complex work of art there is some one ( or there may be several ) preëminent shape , color , line , melodic ... Thus every good pattern is built up of one or more shapes , the disposition of which constitutes the design .
In every complex work of art there is some one ( or there may be several ) preëminent shape , color , line , melodic ... Thus every good pattern is built up of one or more shapes , the disposition of which constitutes the design .
Pagina 462
If this is Empathy , says the Reader ( relieved and reassured ) , am I to understand that Empathy is nothing beyond attributing what goes on in us when we look at a shape to the shape itself ? I am sorry that the matter is by no means ...
If this is Empathy , says the Reader ( relieved and reassured ) , am I to understand that Empathy is nothing beyond attributing what goes on in us when we look at a shape to the shape itself ? I am sorry that the matter is by no means ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
Reality and Imagination 3 I Reality and Imagination | 3 |
perience | 62 |
Intuition | 89 |
Copyright | |
26 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness course critic definition described desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give hand human ideas images imagination imitation important individual interest intuition isolation kind knowledge language less live look material matter meaning merely mind moral move nature never object organization original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure qualities question reality reason reference relation represented result scientific seems sense shape significant simple social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |