A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 52
Pagina 22
... shape " ; it means that we give shape to a number of people for a particular purpose . But we go further and say , for exam- ple , that ice " forms " over a pond , or that dewdrops " form " on the twig of a tree . Then " form " does ...
... shape " ; it means that we give shape to a number of people for a particular purpose . But we go further and say , for exam- ple , that ice " forms " over a pond , or that dewdrops " form " on the twig of a tree . Then " form " does ...
Pagina 359
... shape , there is some dominant color that appears again and again or in related degrees of saturation , or else there is a color chord that is similarly repeated or is analyzed . In architecture , each style has its characteristic shape ...
... shape , there is some dominant color that appears again and again or in related degrees of saturation , or else there is a color chord that is similarly repeated or is analyzed . In architecture , each style has its characteristic shape ...
Pagina 461
... shape ( for we can look at only the shape , not the substance ) of that mountain we cease thinking about ourselves , and cease thinking about our- selves exactly in proportion as we are thinking of the moun- tain's shape . What becomes ...
... shape ( for we can look at only the shape , not the substance ) of that mountain we cease thinking about ourselves , and cease thinking about our- selves exactly in proportion as we are thinking of the moun- tain's shape . What becomes ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole