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Pagina 22
In this sense the word “ form ” means something like “ shape ” ; it means that we
give shape to a number of people for a particular purpose . But we go further and
say , for example , that ice “ forms ” over a pond , or that dewdrops “ form ” on the
...
In this sense the word “ form ” means something like “ shape ” ; it means that we
give shape to a number of people for a particular purpose . But we go further and
say , for example , that ice “ forms ” over a pond , or that dewdrops “ form ” on the
...
Pagina 359
... mère of Taine . In every complex work of art there is some one ( or there may
be several ) preëminent shape , color , line , melodic ... Thus every good pattern
is built up of one or more shapes , the disposition of which constitutes the design .
... mère of Taine . In every complex work of art there is some one ( or there may
be several ) preëminent shape , color , line , melodic ... Thus every good pattern
is built up of one or more shapes , the disposition of which constitutes the design .
Pagina 461
But , as the Reader will remember also , when we are engrossed by something
outside ourselves , as we are engrossed in looking at the shape ( for we can look
at only the shape , not the substance ) of that mountain we cease thinking about ...
But , as the Reader will remember also , when we are engrossed by something
outside ourselves , as we are engrossed in looking at the shape ( for we can look
at only the shape , not the substance ) of that mountain we cease thinking about ...
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Sommario
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Sensuous Elements and Esthetic | 245 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness contemplation course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas imagination important individual interest isolation kind knowledge language less live look material matter means merely mind moral move nature object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represents result scientific seems sense shape significant simply social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |