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Pagina 22
In this sense the word “form” means something like “shape”; it means that we give
shape to a number of people for a particular purpose. But we go further and say,
for example, that ice “forms” over a pond, or that dewdrops “form” on the twig of ...
In this sense the word “form” means something like “shape”; it means that we give
shape to a number of people for a particular purpose. But we go further and say,
for example, that ice “forms” over a pond, or that dewdrops “form” on the twig of ...
Pagina 359
In every complex work of art there is some one (or there may be several)
preeminent shape, color, line, ... Thus every good pattern is built up of one or
more shapes, the disposition of which constitutes the design. When there is color
as well as ...
In every complex work of art there is some one (or there may be several)
preeminent shape, color, line, ... Thus every good pattern is built up of one or
more shapes, the disposition of which constitutes the design. When there is color
as well as ...
Pagina 462
If what we attributed to each single shape was only the precise action which we
happen to be accomplishing in the process of looking at it, Empathy would
indeed be a simple business, but it would also be a comparatively poor one. No.
If what we attributed to each single shape was only the precise action which we
happen to be accomplishing in the process of looking at it, Empathy would
indeed be a simple business, but it would also be a comparatively poor one. No.
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Parole e frasi comuni
abstract action activity actual affective appear appreciation artist aspect associations attitudes beauty become called cause character color complete connection consciousness course criticism definition describe desire direct discourse Distance distinction distinguished dream elements emotional esthetic example existence experience expression external fact feeling function give given human ideas images imaginative imitation important individual instinctive interest intuition kind knowledge language less live look material matter means merely mind moral move nature never object organization original ourselves painting particular patterns perception person phantasies physical picture play pleasure poem poet poetic poetry possible practical present produce pure qualities question reality reason reference relation represented result scientific seems sense shape significant simple social soul sound speak symbols theory things thought tion true truth unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |