A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 313
... significance of art " is unrelated to the significance of life , ” this so - called " metaphysical hypothesis " remains ex- tremely vague . Perhaps we may interpret it as analogous to Herbert Read's doctrine of the imitation of nature's ...
... significance of art " is unrelated to the significance of life , ” this so - called " metaphysical hypothesis " remains ex- tremely vague . Perhaps we may interpret it as analogous to Herbert Read's doctrine of the imitation of nature's ...
Pagina 324
... significance . If this were so , it would be permissible to inquire whether it was the forms themselves or our ... significance of its own ; that significance is unrelated to the significance of life . In this world the emotions of life ...
... significance . If this were so , it would be permissible to inquire whether it was the forms themselves or our ... significance of its own ; that significance is unrelated to the significance of life . In this world the emotions of life ...
Pagina 333
... significance as an end in itself ? • But if an object considered as an end in itself moves us more profoundly ( i.e. , has greater significance ) than the same object considered as a means to practical ends or as a thing related to ...
... significance as an end in itself ? • But if an object considered as an end in itself moves us more profoundly ( i.e. , has greater significance ) than the same object considered as a means to practical ends or as a thing related to ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words