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Pagina 312
CLIVE BELL : Significant Form . From Art . 2. ANDREW CECIL BRADLEY : Poetry for Poetry's Sake . From Oxford Lectures on Poetry . 3. DeWITT H. PARKER : The Problem of Esthetic Form . From The Analysis of Art . 4.
CLIVE BELL : Significant Form . From Art . 2. ANDREW CECIL BRADLEY : Poetry for Poetry's Sake . From Oxford Lectures on Poetry . 3. DeWITT H. PARKER : The Problem of Esthetic Form . From The Analysis of Art . 4.
Pagina 318
Only one answer seems possible - significant form . In each , lines and colors combined in a particular way , certain forms and relations of forms , stir our esthetic emotions . These relations and combinations of lines and colors ...
Only one answer seems possible - significant form . In each , lines and colors combined in a particular way , certain forms and relations of forms , stir our esthetic emotions . These relations and combinations of lines and colors ...
Pagina 330
But the perfect lover , he who can feel the profound significance of form , is raised above the accidents of time and place . To him the problems of archaeology ... If the forms of a work are significant its provenance is irrelevant .
But the perfect lover , he who can feel the profound significance of form , is raised above the accidents of time and place . To him the problems of archaeology ... If the forms of a work are significant its provenance is irrelevant .
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Sommario
Reality and Imagination 3 I Reality and Imagination | 3 |
perience | 62 |
Intuition | 89 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness course critic definition described desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give hand human ideas images imagination imitation important individual interest intuition isolation kind knowledge language less live look material matter meaning merely mind moral move nature never object organization original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure qualities question reality reason reference relation represented result scientific seems sense shape significant simple social sound speak suggest theory things thought tion true truth understand unity universal whole