A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 65
Pagina 312
... significant form . " By significant form he means certain combinations of lines , colors , and spatial elements which excite pure esthetic emotion . The repre- sentation of space is necessary to achieve certain kinds of 1 Cf. especially ...
... significant form . " By significant form he means certain combinations of lines , colors , and spatial elements which excite pure esthetic emotion . The repre- sentation of space is necessary to achieve certain kinds of 1 Cf. especially ...
Pagina 318
... Significant Form " ; and " Significant Form " is the one quality common to all works of visual art . At this point it may be objected that I am making es- thetics a purely subjective business , since my only data are personal ...
... Significant Form " ; and " Significant Form " is the one quality common to all works of visual art . At this point it may be objected that I am making es- thetics a purely subjective business , since my only data are personal ...
Pagina 330
... significance of form , is raised above the accidents of time and place . To him the prob- lems of archaeology , history , and hagiography are im- pertinent . If the forms of a work are significant its prov- enance is irrelevant . Before ...
... significance of form , is raised above the accidents of time and place . To him the prob- lems of archaeology , history , and hagiography are im- pertinent . If the forms of a work are significant its prov- enance is irrelevant . Before ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole