A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 57
Pagina 21
... simple answer to our question : What is art ? But we can say , to begin with , that common to all works of art is something 1I have omitted a brief introductory section and certain other parts of Read's chapter and have renumbered the ...
... simple answer to our question : What is art ? But we can say , to begin with , that common to all works of art is something 1I have omitted a brief introductory section and certain other parts of Read's chapter and have renumbered the ...
Pagina 25
... simple laws . That is to say , the growth of particular things into particular shapes is determined by forces acting in accord- ance with certain inevitable mathematical or mechanical laws . The bee's cell might be taken as a simple ...
... simple laws . That is to say , the growth of particular things into particular shapes is determined by forces acting in accord- ance with certain inevitable mathematical or mechanical laws . The bee's cell might be taken as a simple ...
Pagina 32
... simple reaction to a single color , though it has been demonstrated that the apprehension or appreciation of a single color may be esthetic . But more generally we are concerned with several colors , and it is according to whether they ...
... simple reaction to a single color , though it has been demonstrated that the apprehension or appreciation of a single color may be esthetic . But more generally we are concerned with several colors , and it is according to whether they ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words