A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 269
... simply in order to direct attention to the proper place , namely , the forms of the music . But , whilst it is certain that [ certain ] types . . . are musically un- educated and can never as such enter into the delight of pure ...
... simply in order to direct attention to the proper place , namely , the forms of the music . But , whilst it is certain that [ certain ] types . . . are musically un- educated and can never as such enter into the delight of pure ...
Pagina 484
... simply to decide whether or not the thing before him objectifies a feeling that was his , or one that perhaps he had not yet experienced but that he is able and willing to call his . And once more , this decision is one quite distinct ...
... simply to decide whether or not the thing before him objectifies a feeling that was his , or one that perhaps he had not yet experienced but that he is able and willing to call his . And once more , this decision is one quite distinct ...
Pagina 498
... simply consider the question raised , namely , whether the feelings obtained in esthetic contemplation may affect the rest of one's life , and how . The value other than esthetic that esthetic feelings may have depends upon the fact ...
... simply consider the question raised , namely , whether the feelings obtained in esthetic contemplation may affect the rest of one's life , and how . The value other than esthetic that esthetic feelings may have depends upon the fact ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words