A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 269
... simply in order to direct attention to the proper place , namely , the forms of the music . But , whilst it is certain that [ certain ] types . . . are musically un- educated and can never as such enter into the delight of pure ...
... simply in order to direct attention to the proper place , namely , the forms of the music . But , whilst it is certain that [ certain ] types . . . are musically un- educated and can never as such enter into the delight of pure ...
Pagina 484
... simply to decide whether or not the thing before him objectifies a feeling that was his , or one that perhaps he had not yet experienced but that he is able and willing to call his . And once more , this decision is one quite distinct ...
... simply to decide whether or not the thing before him objectifies a feeling that was his , or one that perhaps he had not yet experienced but that he is able and willing to call his . And once more , this decision is one quite distinct ...
Pagina 498
... simply consider the question raised , namely , whether the feelings obtained in esthetic contemplation may affect the rest of one's life , and how . The value other than esthetic that esthetic feelings may have depends upon the fact ...
... simply consider the question raised , namely , whether the feelings obtained in esthetic contemplation may affect the rest of one's life , and how . The value other than esthetic that esthetic feelings may have depends upon the fact ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole