A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 46
Pagina 508
... situation ; the right hand column , the analytical features which are for the most part the practical also . Every human situation has a certain proportion of both of these sets of features . For it is the quality that determines the ...
... situation ; the right hand column , the analytical features which are for the most part the practical also . Every human situation has a certain proportion of both of these sets of features . For it is the quality that determines the ...
Pagina 513
... situation into the unified quality of the esthetic situation . It is ignored , disparaged , or explained away by most other world hypotheses - called merely subjective , a result of insufficient analysis , mere vagueness , or nothing ...
... situation into the unified quality of the esthetic situation . It is ignored , disparaged , or explained away by most other world hypotheses - called merely subjective , a result of insufficient analysis , mere vagueness , or nothing ...
Pagina 515
... situation to a solution in the future and escapes from the present . It also leads to analysis of the situation , in search for the means of solution , and the devivifying effect of analysis we have already brought out . These then ...
... situation to a solution in the future and escapes from the present . It also leads to analysis of the situation , in search for the means of solution , and the devivifying effect of analysis we have already brought out . These then ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words