A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 160
... social world of poetry . Therefore I desire what is called self - expression but is really self - socialization , the casting of my private experience in such a form that it will be incorporated in the social world of art and appear as ...
... social world of poetry . Therefore I desire what is called self - expression but is really self - socialization , the casting of my private experience in such a form that it will be incorporated in the social world of art and appear as ...
Pagina 162
... social ego which ages of art have built up ; ( b ) is general , is not a contradictory item of experience peculiar ... social relations of that age . For the experience of men in general is determined in general by the social relations ...
... social ego which ages of art have built up ; ( b ) is general , is not a contradictory item of experience peculiar ... social relations of that age . For the experience of men in general is determined in general by the social relations ...
Pagina 553
... social milieu as the palaces and monasteries that the antiquarian art dealer and collector had begun to loot . The educational aim of the arts and crafts movement was admirable ; and , in so far as it gave courage and understanding to ...
... social milieu as the palaces and monasteries that the antiquarian art dealer and collector had begun to loot . The educational aim of the arts and crafts movement was admirable ; and , in so far as it gave courage and understanding to ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words