A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 60
Pagina 247
... sound ( and we distinguish sounds from noises by just this criterion that they have clearly perceptible pitch ) lies ... sound can be removed from this given pitch order . Nor can anything enter this order except sounds . By virtue of ...
... sound ( and we distinguish sounds from noises by just this criterion that they have clearly perceptible pitch ) lies ... sound can be removed from this given pitch order . Nor can anything enter this order except sounds . By virtue of ...
Pagina 249
... sounds and noises , found , that is , in nothing else and always present when sound or noise is present . It is the fact that noises , even with no distinguishable pitch , have their fixed places in this dimension of loudness - softness ...
... sounds and noises , found , that is , in nothing else and always present when sound or noise is present . It is the fact that noises , even with no distinguishable pitch , have their fixed places in this dimension of loudness - softness ...
Pagina 256
... sound from extensional aspects whether spatial or temporal . Why , then , are the qualitative orders any more intrinsic to sound and color than spatial or temporal order ? And why , if we are to be rigorous , are temporal and spatial ...
... sound from extensional aspects whether spatial or temporal . Why , then , are the qualitative orders any more intrinsic to sound and color than spatial or temporal order ? And why , if we are to be rigorous , are temporal and spatial ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
18 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole