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Pagina 245
And since . . . these relations are peculiar to certain qualitative aspects of
sensuous material, we shall not expect to find them limited to the spatial or the
temporal merely. What is characteristic of color contrasts is not only that they are
spatially ...
And since . . . these relations are peculiar to certain qualitative aspects of
sensuous material, we shall not expect to find them limited to the spatial or the
temporal merely. What is characteristic of color contrasts is not only that they are
spatially ...
Pagina 253
color as such as distinguished from spatial design in painting. In both cases,
however, it is clear not only that the qualitative orders require either spatial or
temporal extension of their elements in order to be concretely present to an
organism, ...
color as such as distinguished from spatial design in painting. In both cases,
however, it is clear not only that the qualitative orders require either spatial or
temporal extension of their elements in order to be concretely present to an
organism, ...
Pagina 256
We keep "quality" as a term for the very purpose of distinguishing such aspects of
color and sound from extensional aspects whether spatial or temporal. Why, then,
are the qualitative orders any more intrinsic to sound and color than spatial or ...
We keep "quality" as a term for the very purpose of distinguishing such aspects of
color and sound from extensional aspects whether spatial or temporal. Why, then,
are the qualitative orders any more intrinsic to sound and color than spatial or ...
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Parole e frasi comuni
abstract action activity ANDREW CECIL BRADLEY appear appreciation Aristotle artist aspect attitudes balance beauty become BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means ment merely mind moral nature object organization painting perceived perception person phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry present principle produce psychology pure relation rhythm rience ROGER FRY scientific sensations sense sensuous social soul sound spatial super-ego theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words