A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 252
... spatial design not color design that is the characteristic distinction . The parallel with music is still clear , though obviously not at all adequate . As colors are spread over surfaces , so notes are extended through time , and ...
... spatial design not color design that is the characteristic distinction . The parallel with music is still clear , though obviously not at all adequate . As colors are spread over surfaces , so notes are extended through time , and ...
Pagina 253
... spatial or temporal ex- tension of their elements in order to be concretely present to an organism , but also that the spatial and temporal aspects of the concrete content are themselves structural . Like pitch , time , whatever else it ...
... spatial or temporal ex- tension of their elements in order to be concretely present to an organism , but also that the spatial and temporal aspects of the concrete content are themselves structural . Like pitch , time , whatever else it ...
Pagina 256
... spatial or temporal order ? And why , if we are to be rigorous , are temporal and spatial order any more intrinsic to spatial and temporal elements than the qualitative orders , since only as qualitied and hence as involving ...
... spatial or temporal order ? And why , if we are to be rigorous , are temporal and spatial order any more intrinsic to spatial and temporal elements than the qualitative orders , since only as qualitied and hence as involving ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words