A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 69
Pagina 9
... speak of beautiful sights and beautiful sounds . But in reference to the other objects of the other senses , we do not use the expression beautiful , for we do not speak of beautiful tastes , and beautiful odors . Thus it is evident ...
... speak of beautiful sights and beautiful sounds . But in reference to the other objects of the other senses , we do not use the expression beautiful , for we do not speak of beautiful tastes , and beautiful odors . Thus it is evident ...
Pagina 348
... speak loosely again , the action and characters ( more of them than you can conceive apart ) are focused ; but your experience is not a combination of them , as ideas , on the one side , with certain sounds on the other ; it is an ...
... speak loosely again , the action and characters ( more of them than you can conceive apart ) are focused ; but your experience is not a combination of them , as ideas , on the one side , with certain sounds on the other ; it is an ...
Pagina 406
... speak of the " impersonal " character of Science , for instance . In order to obtain " objectively valid " results , the scientist excludes the " personal factor , " i.e. , his personal wishes as to the validity of his results , his ...
... speak of the " impersonal " character of Science , for instance . In order to obtain " objectively valid " results , the scientist excludes the " personal factor , " i.e. , his personal wishes as to the validity of his results , his ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words