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Pagina 9
Consequently those senses chiefly regard the beautiful , which are the most cognitive , viz . , sight and hearing , as ministering to reason ; for we speak of beautiful sights and beautiful sounds . But in reference to the other objects ...
Consequently those senses chiefly regard the beautiful , which are the most cognitive , viz . , sight and hearing , as ministering to reason ; for we speak of beautiful sights and beautiful sounds . But in reference to the other objects ...
Pagina 348
In these words , to speak loosely again , the action and characters ( more of them than you can conceive apart ) are focused ; but your experience is not a combination of them , as ideas , on the one side , with certain sounds on the ...
In these words , to speak loosely again , the action and characters ( more of them than you can conceive apart ) are focused ; but your experience is not a combination of them , as ideas , on the one side , with certain sounds on the ...
Pagina 406
In giving preference therefore to the term “ impersonal ” to describe the relation between the spectator and a work of Art , it is to be noticed that it is not impersonal in the sense in which we speak of the " impersonal ” character of ...
In giving preference therefore to the term “ impersonal ” to describe the relation between the spectator and a work of Art , it is to be noticed that it is not impersonal in the sense in which we speak of the " impersonal ” character of ...
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Sommario
Reality and Imagination 3 I Reality and Imagination | 3 |
perience | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness course critic definition described desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give hand human ideas images imagination imitation important individual interest intuition isolation kind knowledge language less live look material matter meaning merely mind moral move nature never object organization original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure qualities question reality reason reference relation represented result scientific seems sense shape significant simple social sound speak suggest theory things thought tion true truth understand unity universal whole