A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 466
... standards of critical judg- ment , but believes that each standard may be applied with a fair degree of objectivity . A significant standard does not reflect mere personal taste , but springs from a com- prehensive orientation toward ...
... standards of critical judg- ment , but believes that each standard may be applied with a fair degree of objectivity . A significant standard does not reflect mere personal taste , but springs from a com- prehensive orientation toward ...
Pagina 488
... standard . The account of standards of criti- cism of works of art and other esthetic objects given up to this point has remained throughout essentially independent of the notion of beauty . But the endeavor persistently through the ...
... standard . The account of standards of criti- cism of works of art and other esthetic objects given up to this point has remained throughout essentially independent of the notion of beauty . But the endeavor persistently through the ...
Pagina 497
... standard in terms of which to judge art as good or bad . It is worth noting , however , that standards of evaluation cannot themselves be evaluated , except in terms of some standard not itself in any way vindicated , but only ...
... standard in terms of which to judge art as good or bad . It is worth noting , however , that standards of evaluation cannot themselves be evaluated , except in terms of some standard not itself in any way vindicated , but only ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words