A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 52
Pagina 28
... structure : the bridge and the bone possess the same fitness , the same appropriateness . We might venture the ... structure of what they imitate . The examples I shall take are of two kinds : they are either unconscious , that is to say ...
... structure : the bridge and the bone possess the same fitness , the same appropriateness . We might venture the ... structure of what they imitate . The examples I shall take are of two kinds : they are either unconscious , that is to say ...
Pagina 253
... structure , carry struc- ture in their very nature . But without visually perceptible , that is to say colored ... structure and the orders intrinsic to space and time are as essential to concrete esthetic surface as what we usually call ...
... structure , carry struc- ture in their very nature . But without visually perceptible , that is to say colored ... structure and the orders intrinsic to space and time are as essential to concrete esthetic surface as what we usually call ...
Pagina 551
... structure the esthete was , so to speak , permitted slightly to modify the surfaces with his unimportant patterns , his plutonic flowers , his aimless filigree , provided he did not seriously weaken the structure or condemn the function ...
... structure the esthete was , so to speak , permitted slightly to modify the surfaces with his unimportant patterns , his plutonic flowers , his aimless filigree , provided he did not seriously weaken the structure or condemn the function ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words