A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 31
Pagina 349
... style and versification . There is no such thing as mere form in poetry . All form is expression . Style may have indeed a certain esthetic worth in partial abstraction from the particular matter it conveys , as in a well - built ...
... style and versification . There is no such thing as mere form in poetry . All form is expression . Style may have indeed a certain esthetic worth in partial abstraction from the particular matter it conveys , as in a well - built ...
Pagina 454
... style has mostly been peculiar to peoples at a time when they remained at a relatively lower state of civilization . " If we consider this proposition , which indeed minimizes the rôle which geometric style has played with peoples of ...
... style has mostly been peculiar to peoples at a time when they remained at a relatively lower state of civilization . " If we consider this proposition , which indeed minimizes the rôle which geometric style has played with peoples of ...
Pagina 476
... Style , Perfection , Truth , and Greatness The style of a work of art is a function of the com- position as a whole , regarded as an historical phenomenon . Every artist has his own individual style ( or styles ) , and so has every ...
... Style , Perfection , Truth , and Greatness The style of a work of art is a function of the com- position as a whole , regarded as an historical phenomenon . Every artist has his own individual style ( or styles ) , and so has every ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words