A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 59
Pagina 398
... suggest anything outside of itself , it brings a final rest to the mind of the subject . Now the tree is not lumber , the animal is not food , the waterfall is not machine power , but in their beauty alone are they appreciated . Exactly ...
... suggest anything outside of itself , it brings a final rest to the mind of the subject . Now the tree is not lumber , the animal is not food , the waterfall is not machine power , but in their beauty alone are they appreciated . Exactly ...
Pagina 398
... suggest anything outside of itself , it brings a final rest to the mind of the subject . Now the tree is not lumber , the animal is not food , the waterfall is not machine power , but in their beauty alone are they appreciated . Exactly ...
... suggest anything outside of itself , it brings a final rest to the mind of the subject . Now the tree is not lumber , the animal is not food , the waterfall is not machine power , but in their beauty alone are they appreciated . Exactly ...
Pagina 444
... suggests to me that inner movement which includes in itself the two elements : extension and limitation . And ... suggestion I say ' Yes ' or that I say ' No , ' that I freely exercise the activity suggested to me or that I oppose the ...
... suggests to me that inner movement which includes in itself the two elements : extension and limitation . And ... suggestion I say ' Yes ' or that I say ' No , ' that I freely exercise the activity suggested to me or that I oppose the ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
25 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words