A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 25
Pagina 17
... symbols the spontaneous presence in the mind of something over and above such symbols . Painting imitates with colors and plane forms given things outside us , Music imitates with sound and rhythms - and Dancing with rhythm alone ...
... symbols the spontaneous presence in the mind of something over and above such symbols . Painting imitates with colors and plane forms given things outside us , Music imitates with sound and rhythms - and Dancing with rhythm alone ...
Pagina 168
... symbol - both to poet and mathematician , contrasted with the looser speech permitted to the biologist or novelist ... symbols . We can now understand more clearly why poetry re- sembles dream in its technique . The characteristic of ...
... symbol - both to poet and mathematician , contrasted with the looser speech permitted to the biologist or novelist ... symbols . We can now understand more clearly why poetry re- sembles dream in its technique . The characteristic of ...
Pagina 169
... symbol is associated with memories in our life , not by association of ideas but by affective associations . The ... symbols of a consistent mock world in which we first orientate ourselves . Hence the inconse- quence of dream ...
... symbol is associated with memories in our life , not by association of ideas but by affective associations . The ... symbols of a consistent mock world in which we first orientate ourselves . Hence the inconse- quence of dream ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words