A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 90
Pagina 3
... theory is the rela- tion of art to nature . In the history of Western thought , the two most influential treatments of this theme are the theory of " imitation , " enunciated by Plato and Aristotle , and the theory of " imagination ...
... theory is the rela- tion of art to nature . In the history of Western thought , the two most influential treatments of this theme are the theory of " imitation , " enunciated by Plato and Aristotle , and the theory of " imagination ...
Pagina 306
... theory of signs . Thus the approach to art as a form of discourse is an ancient and common heritage in esthetics ; the modern theory of signs , in proportion as it is more precise and elaborate , should be able to make clear the ...
... theory of signs . Thus the approach to art as a form of discourse is an ancient and common heritage in esthetics ; the modern theory of signs , in proportion as it is more precise and elaborate , should be able to make clear the ...
Pagina 579
... Theory of Comedy , " Studies in Recent Aesthetic , Chapel Hill , 1927 . Hope , Richard , " Laughter and the Comic : A Critique of Berg- son's Theory of the Comic , " Psyche , January , 1927 , pp . 72-85 . Hulme , T. E. , " Bergson's Theory ...
... Theory of Comedy , " Studies in Recent Aesthetic , Chapel Hill , 1927 . Hope , Richard , " Laughter and the Comic : A Critique of Berg- son's Theory of the Comic , " Psyche , January , 1927 , pp . 72-85 . Hulme , T. E. , " Bergson's Theory ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
25 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words